Harmony is a Connecting Force

Harmony is a Connecting Force Harmony is a Connecting Force Harmony is a Connecting Force

Harmony is a Connecting Force

Harmony is a Connecting Force Harmony is a Connecting Force Harmony is a Connecting Force

The Sound of Belonging

The Sound of BelongingThe Sound of BelongingThe Sound of Belonging

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In a disconnected, sprawling Miami, a scruffy urban choir unites diverse voices in 4 part harmony

The Sound of Belonging - Documentary Film

About Us

Strength in Diversity

Strength in Diversity

Miami Sound Choir is a community choir led by local artist Laurah Merisier, dedicated to making music accessible, inclusive, and transformative. Through multilingual performances and cross-disciplinary collaborations, the choir brings global sounds into local spaces. 



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Strength in Diversity

Strength in Diversity

Strength in Diversity

 The choir values radical inclusion and care, and full self expression.  


The choir is comprised of roughly 110 people representing over 26 countries and speaking over 15 languages. Members range in age from 23-80 and represent the maximum diversity across race, gender, neurodivergence, ethnicity, religion, education level, economic status, and physical ability, among other factors.



A Miami Success Story

Strength in Diversity

A Miami Success Story

The choir operationalizes the values of radical inclusion, community care, full self expression.  The film, "The Sound of Belonging" demonstrates how this unwieldy group comes together, under the leadership of Laurah Merisier, to make much more than music--but also a model of consistent community care.   In this time of political polariza

The choir operationalizes the values of radical inclusion, community care, full self expression.  The film, "The Sound of Belonging" demonstrates how this unwieldy group comes together, under the leadership of Laurah Merisier, to make much more than music--but also a model of consistent community care.   In this time of political polarization and social isolation, Miami Sound Choir is a  beacon of possibility.  We need gritty stories of collective action to remind us that that we can create the connection we seek.

Miami Sound Choir: A Model for a Better Miami

Othering and Belonging

The concept of Othering and Belonging, according to the the University of California Berkeley Othering & Belonging Institute, describes two interconnected social processes. 


Othering refers to the structural, cultural, and interpersonal dynamics that marginalize groups by framing them as outsiders—"not part of the we." This dynamic is reinforced through unequal access to resources, exclusion from public narratives, discriminatory policies, and social norms that assign differential value to groups.


Belonging, in contrast, is defined as the ability of all people to participate in, shape, and thrive within the institutions and cultural fabric of society. Crucially, belonging does not require assimilation. Instead, it involves transforming systems so that differences are recognized, accommodated, and made integral to community life.



The Miami Sound Choir offers a compelling, applied example of belonging within a city historically shaped by othering. Miami’s lived experience plays out as structural divisions along lines of race, language, immigration status, gender identity, and economic class. These forces manifest in housing insecurity, cultural silos, limited social safety nets, and a pervasive sense of disconnection.  


Miami Sound Choir intentionally dismantles barriers that categorize individuals as outsiders. 

Film Synopsis

  • The film follows a five--month choir season, from first rehearsal in August 2025 to a final performance in December 2025. Set at the Little Haiti Cultural Center, weekly rehearsals unfold in vibrant chaos—physical warm-ups, lyric discussions, language lessons, solo auditions, and history lessons. 


  • As members work to master a multilingual repertoire spanning genres, we come to know five members whose seemingly insurmountable struggles with mental and physical health, homelessness, immigration, grief and religious barriers,  serve as undercurrents of tension as well.  Interviews and conversations interwoven into the musical fabric of the film, provide a view into how the choir, in community,  serves as their salve.


  • A second central tension emerges: the choir is dangerously underfunded.  The group mobilizes—forming committees, fundraising, and sharing resources—to confront this barrier together.


  • Early rehearsals unfold in a blur of confusion, laughter, multilingual chatter, and joyful chaos as the choir comes together. We  begin to understand the leadership of choir director Laurah Merisier. As the season builds, harmonies strengthen alongside deepening relationships, even as personal struggles and the choir’s financial challenges surface. Care in action becomes visible when the members join forces to raise money for the choir as well as for each other in times of crisis, personal breakthroughs, and extracurricular gatherings. As the choir strives for  creative refinement, a demanding multilingual set slowly coheres, carrying moments of tension and release. All of this leads to the final performance, a culminating event that weaves music, movement, and poetry into an exuberant celebration embraced by the surrounding community.

Where the Action Takes Place

Little Haiti, Miami, USA

At the center of all the action is the Little Haiti Cultural Complex. Anchored by the Caribbean Marketplace where the Miami Sound Space rehearses and performs, it is a replica of Port Au Prince's famed Iron Market. 

Artistic Vision


Artisitically the film mirrors the choir itself—layered, rhythmic, and polyphonic—interlacing voices to create a collective portrait that shows rather than tells. Intimate close-ups and textured handheld footage are balanced with wide rehearsal shots that capture the full ensemble. Lesser seen Miami landscapes, Little Haiti street corners, buses, storefronts, murals, and palm, ground the story in place. 


The color palette for the film, drawn from the choir’s identity, including blue and violet, gold and yellow, silver and white, and rose and pink, reinforces the emotional tone. 



The sound design deepens the emotion through isolated four-part harmonies for resonance, ambient Miami soundscapes that evoke daily life, strategic uses of silence, and multilingual spoken and sung textures. 



The musical selections span geographies and histories, featuring “Beware” by Miriam Makeba of South Africa, “La Vida es un Carnaval” by Celia Cruz of Cuba, “Freedom Is a Constant Struggle” by the Chamber Brothers from the United States, the Haitian folk song “Peze Cafe,” and Afro-Colombian music “La Paz y Flora,” together underscoring the film’s global, diasporic spirit.

The Team

Kareem Tabsch: Advising Producer

Ed Talavera: Director of Photography

Kareem Tabsch: Advising Producer

Kareem Tabsch is an Emmy-nominated filmmaker whose work focuses on documenting that which exists on the fringes of mainstream society. His feature films include Naked Ambition (2024),Mucho Mucho Amor (2020) and The Last Resort (2018) and Dolphin Lover (2015). Tabsch's work has been included at prestigious festivals like Sundance, SXSW, Ho

Kareem Tabsch is an Emmy-nominated filmmaker whose work focuses on documenting that which exists on the fringes of mainstream society. His feature films include Naked Ambition (2024),Mucho Mucho Amor (2020) and The Last Resort (2018) and Dolphin Lover (2015). Tabsch's work has been included at prestigious festivals like Sundance, SXSW, HotDocs and has been featured in outlets like The New York Times, Los Angeles Times, and NPR among others. In 2020, Tabsch's film Mucho Mucho Amor was named one of the 20 essential Latino Films by The New York Times. It was nominated for Emmy, GLADD, Imagen Awards and named Best Latinx Film by the National Association of Latino Independent Producers. He was named a '40 under 40' Documentary filmmaker by DocNYC, America's largest documentary film festival. 

Gina Margillo: Director/Producer

Ed Talavera: Director of Photography

Kareem Tabsch: Advising Producer

Gina Margillo is an award-winning filmmaker, activist-artist, and communication professor who uses storytelling to advance social justice and social change. Grounded in Social and Behavioral Change Communication and Education-Entertainment, she creates films and multiplatform projects that center community voices.  Her work has been produ

Gina Margillo is an award-winning filmmaker, activist-artist, and communication professor who uses storytelling to advance social justice and social change. Grounded in Social and Behavioral Change Communication and Education-Entertainment, she creates films and multiplatform projects that center community voices.  Her work has been produced in collaboration with community-based organizations, international nonprofits, the United Nations, and governments, addressing issues including sexual and reproductive justice, environmental harm, HIV prevention,  and immigration.
Her films include The Sound of Belonging (in production, 2026), Night Train Last Stop (2025), Catelus Ascending (2023), Overtown’s Living Legacy (2022), Dolores, a Triptych (2021),  Ya Habibi, The Story of a Song (2020), and Stolen Lives (2019). 

Ed Talavera: Director of Photography

Ed Talavera: Director of Photography

Ed Talavera: Director of Photography

 Ed Talavera is an award-winning cinematographer of narrative, documentary, and immersive films. Talavera’s numerous film credits include work aired on HBO, Showtime, Cinemax, ESPN, PBS and theaters worldwide. His theatrical film credits include ROPE TIED, SUE, PERFECT PREY, and BRIDGET. Feature documentaries include ONE WATER, FINDING GA

 Ed Talavera is an award-winning cinematographer of narrative, documentary, and immersive films. Talavera’s numerous film credits include work aired on HBO, Showtime, Cinemax, ESPN, PBS and theaters worldwide. His theatrical film credits include ROPE TIED, SUE, PERFECT PREY, and BRIDGET. Feature documentaries include ONE WATER, FINDING GASTON, and NAKED AMBITION: BUNNY YEAGER.  His latest films Are You Down? and JEN CLAY: THE TEXTURE OF ANXIETY, have recently won Suncoast Regional Emmy Awards.

Gragham Viegut: Sound Design

Vasily Shalashov: Sound Design

Ed Talavera: Director of Photography

As one-third of the sound design and mix team, Gragham is also a talented, Miami local musician who plays percussion with Miami Bloco. 


Vasily Shalashov: Sound Design

Vasily Shalashov: Sound Design

Vasily Shalashov: Sound Design

As the Director of Kosmos Recordings

Vas leads the team, consisting of Graham Viegut and India Hooi.  Together they bring a wealth of sound design and mixing experience  including working with luminary ensembles such as New World Symphony, The Colombian National Ballet, and Nu Deco Ensemble, t With experience recording a plethora of ensembles and soloists across 5 continents. 

India Hooi: Sound Design

Vasily Shalashov: Sound Design

Vasily Shalashov: Sound Design

Not only only does India form an essential part of the Kosmos Recordings team, but, as a member of a choir, herself, she has a deep appreciation understanding of how the act of singing together creates community.


Ricardo Luis Trevino: Editor

Ricardo Luis Trevino: Editor

Ricardo Luis Trevino: Editor

Ricardo Luis Trevino is an accomplished cinematographer and editor with deep talent in timing and visual communication. He has worked with networks such as Nickelodeon, A&E, Univision, Canal Sony, Fox Sports, People en Español and as an independent freelancer with clients such as Xoom.com, Dish Latino, BlackBerry.  Involved from Pre-produ

Ricardo Luis Trevino is an accomplished cinematographer and editor with deep talent in timing and visual communication. He has worked with networks such as Nickelodeon, A&E, Univision, Canal Sony, Fox Sports, People en Español and as an independent freelancer with clients such as Xoom.com, Dish Latino, BlackBerry.  Involved from Pre-production through Mastering, he directed and edited eight episodes of “Uncharted Adventure” a 45 minute long travel show that is currently airing on the Weather Channel. He edited the first episode and a couple of VFX shots.  was nominated for an Emmy nominated Viacom (Nickelodeon, MTV) // 2018 - 2019

Production Schedule & Budget

Production Plan and Team

  • Status: Pre-production complete
  • Filming: September 2025–February 2026
  • Post-Production: May 2026–June 2026


Budget and Funding

  • Total Budget: $62,210 (Pre-production, production, post post
  • Funds Secured: $5,000

Contact Us

The Sound of Belonging

Little Haiti Cultural Center Miami, FL, USA

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